Shug’s character is sexually involved with each of them she and Celie have a fleeting onstage kiss that often seems to startle audiences. She brings a notable religiosity to her conversations with the show’s protagonist, Celie, and a greater intensity to both her anger and her desire for Celie’s abusive husband, Mister. “I’ve worked with many of the great Broadway artists - Patti and Chita and Bernadette and Faith - and I would put Heather in that group,” Mr. “He says, ‘We’re going to play ‘Star Wars’ today because you can’t talk,’” she said.
Heather headley he is music video how to#
She said the older boy has even figured out how to exploit the times when she needs vocal rest. Hudson, glow-in-the-dark stars affixed by the boys, and a schematic of the Millennium Falcon (the start of what is becoming a bit of a “Star Wars” shrine, light sabers and all). (“I wanted them out of the city in trees and stuff, and then I drove into Times Square and saw naked people and I was like, maybe this is a good idea that they should stay in Harrison.”)Īt the theater, she has converted a second dressing room into a boy-cave, repainted blue, with a television bequeathed by Ms. The couple’s sons, John David, who is 6, and Jordan Chase, who is nearly 2, are staying with Ms. It’s natural to what I do, so I can’t call that work.”Įach role has required juggling - her husband, Brian Musso, an investment adviser who was briefly a wide receiver with the New York Jets, flew back and forth from Chicago to London 44 times to make “The Bodyguard” work - and now he is commuting to New York. “This is natural to me.” And then, dropping her voice to a whisper as she talked about the producers of “The Color Purple,” she added, presumably joking, “Do not tell Scott Sanders.
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Other phrases bandied about in reference to the new production have ranged from “dross with gloss” ( The Telegraph) and “a pumpy, undemanding evening” and all in all, it’s not looking good for this lumpen attempt to cash in on Whitney Houston’s recent death.“Truth be told, I decided years ago not to call it a job, because I know people who work - my mother worked, hard,” she said.
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Michael Billington, for The Guardian, wrote that “although the show is staged with enormous technical efficiency, it is one more example of the necrophiliac musical morbidly attracted to a cinematic corpse.” The central storyline of the play – the relationship between the singer and the bodyguard (played by Whitney Houston and Kevin Costner in the original movie) – is, itself pretty ludicrous, according to Billington, who walked away from the performance having decided “I wouldn't hire this guy to supervise a kids' Christmas outing.” Headley might have side-stepped the criticism, however, but the play itself did not. In fact, it seems that her decision to return to musical theatre after a break of 12 years seem to have been a wise one, as she is described in The Telegraph’s review as being “at least as fine a singer as Houston in her heyday, if not even better.” She looked the part as well, according to Charles Spencer, who noted her “legs that go on forever” as well as the “succession of dazzling, figure hugging costumes” as well as her “sassy stage presence.” The star of the new stage musical version of Whitney Houston’s crowning moment on the big screen has been spared the wrath of the critics. Heather Headley, you can breathe a sigh of relief. Here's how things went.Ĭontinue reading: 'America's Got Talent' Season Eight Finds It's Vegas-Bound Star Finally there was Kenichi Ebina, who at 38, the Japanese dancer/performance artist was the oldest of the finalists.
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Then we had the singers, Cami Bradley, Jimmy Rose and Forte, an opera trio made up of of Fernando Varela, Josh Page and Sean Panikkar. There was 16-year-old Collins Key, the magician, and the comedian Taylor Williamson. Just as a recap, here's the final six, incase you forgot.
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Operatic trio Forte and songbird Cami Bradley made it to the final It was a surprise filled night as the final performers slowly dwindled away, between performances from the guest entertainers on the night, as America decided who they would press the red buzzer on and who would be going to Las Vegas with $1 million to spend. America's Got Talent came to an end for the eighth time last night (18 September) and between a magician, a comic, a collection of singers and a Japanese performance artist, one of the final six was crowned this year's AGT winner.